融美术馆，深圳后海 (建设中) | Buro-OS

奥雷·舍人为融美术馆所作的设计，在深圳南山区打造了一个共生空间，致力于呈现20世纪和21世纪的视觉与数字文化，并涵盖艺术、设计、建筑及电影等领域。融美术馆是奥雷·舍人同时设计的后海综合园区的核心组成部分，该园区将公寓、办公空间、精品商店，以及由太古地产运营的居舍酒店整合成一个 24小时运转的城市生态系统。

Ole Scheeren’s design for Róng Museum of Art creates a symbiotic space in Shenzhen’s Nanshan District dedicated to visual and digital culture of the 20th and 21st century, including art, design, architecture and film. The museum forms the cornerstone of the Houhai Hybrid Campus – also designed by Ole Scheeren – which integrates residences, offices, curated specialty retail, and a House Hotel operated by Swire Properties into a 24‑hour urban ecosystem.

融美术馆的“融”意指“共生”与“共融”，标志着深圳以科技驱动的经济支持艺术与文化的重要里程碑。融美术馆体现了中国最成功的科技企业家群体回馈社会的公共抱负。

Named after the Chinese character for “symbiosis” and “integration,” the Róng Museum of Art marks a significant milestone in how Shenzhen’s tech‑driven economy supports arts and culture. Commissioned by Tenova Future, the museum reflects a growing ambition among China’s entrepreneurs to contribute to public life and cultural infrastructure.

仅深圳南山区一地，其经济体量就可与新加坡或部分欧洲国家相媲美，而深圳全市的GDP规模更接近泰国等国家。在此背景下，融美术馆作为一家独具特色的文化机构，将科技带来的繁荣转化为推动深圳整体城市发展的文化动力，助力其成为拥有自身艺术声音的全球城市。

Nanshan District alone generates an economy comparable to that of Singapore or some European countries, while the city of Shenzhen produces a GDP on the scale of nations such as Thailand. Against this backdrop, the Róng Museum of Art becomes a unique cultural institution that channels technology‑based prosperity to support the wider urban development of Shenzhen into a global city with its own artistic voice.

“真正重要的是，中国的创新企业正利用在科技产业前沿的地位，为文化与城市发展开辟新的路径。从项目伊始，我们便密切合作，将美术馆及整体综合体定义为一个不仅用于展示的空间，更是一种在城市与生态层面实现共生的声明，让大型科技企业成为核心文化赞助者。”奥雷·舍人表示。

“What is significant is that how China’s innovation sector is opening new ground for culture and urban development. From the very beginning, we worked closely to define a museum and overall complex that is not only a showcase, but a symbiotic urban and ecological statement with big tech as a central cultural patron” says Ole Scheeren.

“在全球范围内，大多数科技导向的环境都高度自我聚焦。而在这里，其愿景是通过投资公共空间，文化场所和教育以开辟一条不同的道路，用经济成功支撑一种更深层、更慷慨的城市与社会参与方式。”

“Around the world, most tech environments are relentlessly self‑focused. Here, the ambition is to chart a different path by investing in public space, cultural venues and education, and to use economic success to underwrite a deeper, more generous engagement with the city and wider society.”

在建筑设计上，融美术馆旨在激发公众的好奇心，并促进美术馆、后海综合园区与周边城市之间的流动与交流。美术馆总建筑面积为 4,500 平方米，其中 2,300 平方米为展览空间；同时配备完善的公共教育设施，包括一座大型面向公众的艺术图书馆、工作坊、讲座与放映空间，以及以文化为主题的零售空间、咖啡馆和餐厅。

Architecturally, the Róng Museum of Art is designed to generate curiosity and invite movement and exchange between the museum, the Hybrid Campus and the surrounding city. The museum comprises a total of 4,500 square meters, with 2,300 square meters of gallery space, as well as extensive educational facilities, including a major public art library, workshops, spaces for lectures and screenings, culture- focused retail and cafes and restaurants.

展览空间由五个雕塑感十足的亭阁结构抬升而起，这些结构以纤细的形态触地，在向上延展时逐渐展开，在深圳高楼林立的城市天际线中形成极具辨识度的形象。通过将建筑主体悬浮于地面之上，奥雷·舍人的设计释放出一个遮阳且自然通风的公共广场。融美术馆目前正在建设中，计划于 2027 年向公众开放。

The exhibition spaces are lifted on five sculptural pavilions that touch the ground as slender structures and expand as they rise, forming a distinctive figure within the broader ensemble of Shenzhen’s towers. By suspending the building’s main body above the ground, Ole Scheeren’s design frees its base as a covered, naturally ventilated public plaza. The Róng Museum of Art is currently under construction, with its opening to the public scheduled for 2027.

客户：腾创未来

建筑面积：14,500平方米

美术馆面积：4,500 平方米

展厅面积：2,300 平方米

高度：T4 （阶梯式屋顶 – 24.00 米，34.15 米，53.00米）

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