The Gulbenkian Museum project in Lisbon embraces the Japanese concept of Engawa, a transitional space that lies between indoors and outdoors. In traditional Japanese architecture, the Engawa acts as a threshold, allowing a seamless connection between the interior and nature. Engawa is an invitation for visitors to experience the quiet harmony between architecture and landscape, fostering interaction with the environment.

里斯本古尔本基安博物馆项目融合了日本 Engawa 的概念，即介于室内和室外之间的过渡空间。在传统的日本建筑中，Engawa 如同一道门槛，将室内与自然无缝衔接。Engawa 邀请参观者体验建筑与景观之间的静谧和谐，促进与环境的互动。

One of the primary goals of the project was to create a harmonious relationship between the museum and its surroundings. By opening new pathways and lowering the old surrounding walls around the garden, the design strengthens the connection between the garden and the city of Lisbon. This approach invites the public to move freely through the garden to the museum, establishing an ongoing dialogue between art, nature, and urban fabric.

该项目的主要目标之一是营造博物馆与周边环境的和谐关系。通过开辟新的步道并降低花园周围的旧墙，设计加强了花园与里斯本城市之间的联系。这种设计方式鼓励公众自由地穿过花园前往博物馆，在艺术、自然和城市肌理之间建立持续的对话。

The roof, adorned with white, hand-crafted Portuguese tiles, stretches across the grounds, sparkling with reflections of moving leaves, drawing visitors in and as they approach, the experience transforms into a warm, sheltered space, thanks to the ash wood beneath. The roof not only provides protection but also creating a warm, inviting atmosphere where visitors can gather and explore the outdoor spaces in comfort. These materials, rooted in both Portuguese and Japanese traditions, reflect a shared cultural respect for craftsmanship and nature.

屋顶装饰着手工制作的白色葡萄牙瓷砖，延伸至整个场地，摇曳的落叶在屋顶上闪闪发光，吸引着游客。随着游客靠近，由于下方白蜡木的缘故，整个空间便变成了一个温暖而隐蔽的空间。屋顶不仅提供遮蔽，还营造出温馨宜人的氛围，游客可以在此舒适地聚集和探索户外空间。这些材料源于葡萄牙和日本的传统，体现了对工艺和自然的共同文化尊重。

Alongside with the addition of roof, while retouching to the existing museum, we aimed to celebrate the building’s original beauty by exposing the structure through minimal intervention while creating seamless sightlines to the gardens from all sides. We opened

up the walls of previously enclosed spaces, such as the atrium and technical areas, which serve as the new atrium, main core, and shop are now visually connected to the gardens.

除了屋顶外，我们还对现有博物馆进行了翻新，力求通过最小程度的干预，展现建筑原有的美感，同时打造从各个角度通往花园的无缝视线。我们打通了中庭和技术区等先前封闭空间的墙壁，使新的中庭、主核心和商店在视觉上与花园融为一体。

Furthermore, a new gallery was added on the B2 floor, situated directly beneath the Engawa, expanding the museum’s capacity to display more of Gulbenkian’s extensive art collection and support the new collaborations with the artists.

此外，在B2层，即缘侧正下方，新增了一个展厅，扩大了博物馆的容量，使其能够展示更多 Gulbenkian 丰富的艺术藏品，并支持与艺术家开展新的合作。

The Gulbenkian Museum is not just a building; it is an integrated environment where art, architecture, and landscape coexist in a harmony and it surely will become a model for such a museum of the future.

Gulbenkian 博物馆不仅仅是一座建筑，而是一个艺术、建筑和景观和谐共存的综合环境，它必将成为未来此类博物馆的典范。

Lead Architect: Kengo Kuma & Associates

Local Architect: OODA

Technical and service areas: TNP – Teresa Nunes da Ponte Arquitectura

Landscape architect: VDLA (Vladimir Djurovic Landscape Architecture)

PHOTOGRAPHY：©︎ Erieta Attali, ©︎ Fernando Guerra, ©︎ Pedro Cardigo

来自（SEE MORE）   隈研吾建筑设计事务所